Resumen

REBOK, María Gabriela. El núcleo trágico en el pensamiento de Heidegger. Cuad. Sur, Filos. [online]. 2006, n.35, pp. 9-26. ISSN 1668-7434.

Like all art, the tragedy in Heidegger fulfils with his destination to be a setting of truth as alétheia into the work. The párodos of Sophocles' Antígone will be its staging. It is the recognition of the dark and hidden rising to the manifestation in the space of morning light. Also our fateful time as the "cosmic night" has a tragic vortex: the nihilistic devastation of earth, the transformation of man in mass and the tempest of God. Since the encounter with Hölderlin, Heidegger makes the turn that will rend possible the other beginning, destined to our epoch. The tragedy shows itself as a complex of tensions, supported and nourished from the tense reciprocity between the deinón (Unheimliche, the astonishment, tremendous- fascinating) inhospitable and the hospitable that re-joint what was separated and excluded. That is the experience of the being itself starting from its subtraction and forgetfulness in the alienation. The gigantism of the technical civilization represents this extreme expulsion, but also the origination of the tragic individual, who embodies the katastrofé, turn of the conversion.

Palabras llave : Truth; Turn.